Installations & Exhibitions
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Installations & Exhibitions |
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Sol's Violin sound installationSol’s Violin [a work for the music of the spheres] by Kettle is an audio composition of 521 hours in its entirety exhibited in the Brisbane Institute of Modern Art, Fortitude Valley, from the 31 july - 31 August, 2003 as part of the 'Particle Moves' exhibition. More detail...
Track permanent installationIndustrial transactive information system.Opened on the 20th June, this fascinating installation work will challenge prior selective representations of the Powerhouse site’s history. More details... Terminal Identity installation
Retro-bakelite wirelesses through to modern megatellys, they are the
domestic altars of the industrial age and of the 21st century and this phenomenon
of domesticity and iconicity is explored by six Brisbane artist in the Riverside
Gallery.In choice of artist and subject Curator in Residence, Dr Lisa Anderson, has audiences in the Riverside Gallery interacting with visual and sound art. Working in collaboration, the duo-teams Di Ball and Andrew Kettle; lowkey+nude and Christine Comer; and Steven Grant and Dirk Yates have created three Sound Altars: Terminal Identity, by Andrew Kettle and Di Ball. In a world where people know more about television stars than their own history the effect of media upon individuals is extreme. Twenty-nine plus televisions are the subject of the artists work in which Di Ball creates the visuals and Andrew Kettle applies the sounds from electro magnetic radiation – a.k.a the TV! Sound Altars exhibition, Brisbane Powerhouse, Riverside Gallery from 12 April to 9 June, 2002. If we had antenna for ears... sculpture
Displayed at the Spectacle exhibition, USQ Performance Centre from the 9 October to the 1 November, 2001. Kettle, creates a ‘sound’ installation that immediately appears silent titled 'If we had antenna for ears...' utilising amplified inductor and transformers. The audience must complete the work by exploring the plinth with a separate modified radio component. The work elaborates the context of sound as installation and the spectrum in which a sound artist creates. As a relatively new art-form, sound has been approached inventively by Kettle. Whilst a work of sculpture the primary consideration has been given to the ‘sounds’. The work has a sinister element by exposing the listener to the reality of radiation in which we live our daily lives. Poster Video
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